Matthew Monagle

It feels like we’ve been watching the same six or seven movies shift places on the charts for weeks now, which makes what happened this weekend such a breath of fresh air. With four new releases all cracking the charts, we’ve at least got a little bit of variety in the titles we’ll be discussing, and no The Emoji Movie near the list. I’ll put that down as a win in my book any day of the week. Here’s the estimated box office grosses as of Sunday afternoon:

As we head deeper into September, two things have become pretty clear about 2017 box office numbers: one, Hollywood desperately needs to bounce back a little bit from the doldrums of August, and two, whoever decided to hedge their studio’s bets with a September release date for a movie about a killer clown is looking like a [profanity] genius right about now. We’ll get to all of that in a moment, but first, here are the box office numbers as of Sunday afternoon:

How can we use classic films to teach history? It’s a more difficult question than one might think. On the one hand, early Hollywood classics are full of negative and  —  let’s face it  —  racist stereotypes that can be difficult for many people to watch. On the other hand, these movies provide a valuable opportunity to view a bygone era through its cultural artifacts and see what narratives were being pushed on the general public through film. An individual film in-and-of itself may not contain much value, but as a point of data on a timeline? It can be a very valuable window into how much things have (or haven’t) changed.

As someone in his early 30s, I feel like everything I do comes with the risk of hurting myself. I go for a run without stretching every single muscle? Hurt myself. I reach down to pick something up? Hurt myself. I sit in one position for an extended period of time without straightening out my back? Hurt myself. That’s just one of a dozen reasons why I find Tom Cruise so impressive: at 55-years-old, it’s not like Cruise is going to hurt any less after his physical activities, he just finds ways to pick himself back up after something goes wrong.

You know those rare moments when everyone on the internet seems to be talking about the same thing? Sports, politics, entertainment, whatever… those are the moments that make social media both a blessing and a curse. Take, for instance, a talented (if not slightly unknown) actress named Jodie Whittaker. If you were to go to Google Trends right now and look up her name, you’d see a sudden spike in searches, indicating that everyone everywhere is suddenly obsessed with learning more about her career. Why on earth could that be?

If we’re lucky, every few years we’re treated to a will-they-or-won’t-they love story that sparks our imagination and warms our hearts. Ross and Rachel from Friends. Jim and Pam from The Office. Daniel and Barbara from Bond 25. Yes, these are classic, iconic love stories, where two people who are destined to be together must nevertheless fight through a series of unfortunate events before going public with their mutual love and affection. Which is all a complicated and jokey way of saying, c’mon, Daniel Craig and Barbara Broccoli, we know y’all are going to make Bond 25 happen, so just do it already!

With a handful of major Hollywood stars choosing to speak out on behalf of gender pay equality in Hollywood, we’ve been treated to an unprecedented amount of transparency over these past few years. Major stars like Jessica Chastain, Keira Knightley, and Jessica Lawrence have all spoken out publicly about their own negative experiences on Hollywood franchises, and each passing week, more stars are encouraged to share their own experiences. Through it all, one important theme has emerged: in many of Hollywood’s biggest franchises, female actors are not being paid as much as men.

Look, I’m a pretty simple guy. I don’t ask for a lot out of life. Life doesn’t ask for a lot out of me. But I do have one very small goal, and that’s to eventually do something well enough that a bunch of colleges around the United States decide to praise me with honorary doctorate degrees. A pretty modest aim, right? One pithy news article about Star Wars rumors, and suddenly, the University of Southern California and UCLA are competing to see who can give me the most pieces of paper with my name on it. In the immortal words of Cannibal! The Musical, that’s all I’m asking for.

It’s been a few years since Charlie Sheen has appeared in a feature film of any type, but to hear the actor say it, he’s already lined up his big comeback project. For a while now, Sheen has been talking up the possibility of a Major League sequel that brings back the cast and crew of the original film. And now it sounds like the actor has put in the work and might be closer than ever to getting that film made with a bunch of familiar faces.

What if I told you that there was another Star Wars universe very different from the one you know? In this universe, Han Solo doesn’t sound like Harrison Ford and Darth Vader doesn’t sound like James Earl Jones. Here, Princess Leia is played by a Broadway star instead of Carrie Fisher. And Luke Skywalker and C-3PO ... well, actually, those parts are still played by Mark Hamill and Anthony Daniels. Some things are just multiversal constants.